Filed under Yes

Chronicle

Yes.

The ‘found footage’ format has been given a new lease on life with this fast-paced and engrossing tale of teenagers who develop telekinesis.

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The Artist

Yes.

You may have heard of this Oscar favorite because it’s black and white and silent, but let me add it’s also an absolutely beautiful, heartfelt piece of filmmaking.

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Haywire

Yes.

Soderbergh delivers a well crafted spy thriller that’s heavy on atmosphere and is filled with some riveting fight scenes courtesy of new star Gina Carano.

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The Descendants

Yes.

George Clooney puts in another award worthy performance in Alexander Payne’s latest drama that follows a father dealing with his comatose wife, stressed out daughters and a life-changing business deal.

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The Girl with the Dragon Tattoo

Yes.

An intense crime thriller with some amazing performances and pitch-perfect direction (what else would you expect from David Fincher?), this one is not to be missed.

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Mission Impossible: Ghost Protocol

Yes.

Brad Bird expertly directs this worthy addition to the series that admittedly lacks the gravitas of one or three, but makes up for it with some truly nail-biting action sequences.

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Sherlock Holmes: A Game of Shadows

Yes.

No doubt some of the novelty has worn off since the original, but that doesn’t stop this from being an immensely enjoyable romp with the great performances and thrilling style you’d expect.

 

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The Ides of March

Yes.

Ryan Gosling does it again (well, with the help of director and supporting actor George Clooney) in this gripping political drama that, while it plays out on a smaller scale than I would have preferred, remains engaging from beginning to end.

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50/50

Yes.

Everyone’s favorite actor, Joseph Gordon-Levitt, stars as a 27-year-old battling cancer in a film that finds that delicate balance between laugh-out-loud comedy and personal, touching drama.

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Moneyball

Yes.

The script, performances, and historical context are so strong it was able to captivate me throughout (even though it is about a sport that tends not to).

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